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| Article Name : | | | SUBALTERN VOICES ON STAGE: A POSTCOLONIAL ANALYSIS OF HABIB TANVIR’S CHARANDAS CHOR | | Author Name : | | | Mr. Meraj Ahmad and Prof. Mohammad Fariyad | | Publisher : | | | Ashok Yakkaldevi | | Article Series No. : | | | ROR-16100 | | Article : | |  | Author Profile | | Abstract : | | | This research paper explores the representation of subaltern voices in Charandas Chor, a seminal folk play by Habib Tanvir, through the lens of postcolonial theory. As a pioneer of modern Indian political theatre, Tanvir fused traditional Chhattisgarhi folk performance with sharp socio-political critique, producing a narrative that challenges hegemonic power structures and foregrounds the experiences of marginalized communities. | | Keywords : | | - Subaltern Studies,Postcolonial Theatre,
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